Review: Return To Sender – Jermyn Street Theatre

This review was originally written for ‘The Public Reviews’

Writer/Director: Vickie Holden

Rating: 3.5*s

ReturntoSender - Jermyn Street, LondonDelightfully truthful and charmingly eccentric, Vickie Holden’s production of is a playful one-woman comedy with a multifarious cast sharing some of their most intimate histories. Through a series of deeply personal letters and hyperbolic performances, Holden strives to craft a light-hearted commentary on the little moments in life yet just as her characters struggle to relieve themselves of their stories, so Holden struggles to wholly enthral her audience.

Her tremendous energy and enthusiasm pooled with an assortment of judiciously chosen props and costume brand these four characters from an elite aristocrat to working-class ‘Dave’ as instantly recognisable stereotypes. Holden’s initial characterisation is utterly hilariously, leaving grins plastered across every face but it isn’t long before they become tediously unfunny. Despite this thin veneer of comedy barely holding, Holden deserves much applause for her bravery – self-directing, writing and producing the entire production which on all accounts has turned out better than most.

She relies little on technical effects, leaving it all down to her personal performance and range of spectacles to imbue each character with life and charisma. Intensely physical, she maximises her body’s potential to utterly embrace each character at the drop of a hat (literally) and manages seamless transitions to classically polar opposites. She combines elements of Berkoff in her inflated performances and it is testament to her ability that she skilfully confines her generally engaging One Act production to a one-meter radius performing space.

Despite her individual acting prowess, Return to Sender leaves the audience bewildered and confused, often as its attempts to convey a wider message ultimately falls flat. There is no “deep shit” in this production. Yet it is not surprising that this won Best Act at the 2013 Solo Festival and whilst Holden’s plucky and daring production may have flaws, it is an entertaining evening that will undoubtedly leave you smiling and wondering about that fish man in the market.

Over and out,

The Madman

Reviewed on 26th January

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