Anarchically original and perspicaciously challenging, Tom Frankland and Keir Cooper’s striking production of Don Quijote at the Camden People’s Theatre is not one to be missed.
The audience is guided into a seemingly empty basement to be greeted with cardboard boxes, egg cartons and reams of masking tape, bringing to life our hero, Don Quijote. With a different guest performer each night, this production is dazzlingly fresh, offering a unique exploration into an iconic Spanish text. Combining original music with shadow play, autobiographical storytelling and giant paper-blowing fans ‘Don Quijote’ could easily be remarked on as ‘superficial fun’. Yet whilst jovial and light-hearted, a deeper philosophical message is brazenly thrown at the audience – whether “you count yourself amongst the contented or the afflicted”; do you seek change in the face of futility or live in meek acceptance?
Once the guest Don Quijote is suitably equipped with sturdy armour a courageous spectator is called upon to undertake a great quest, vanishing (presumably to somewhere out of the rain!) before making a grand entrance with his trusty steed in the last ten minutes. What happened on his mighty adventure, we can only guess. So what judgement can I make on this production? In truth, I can make none. That is the magic of ‘Don Quijote’ – each performance is as unique as the experience of each individual spectator, partially why I feel able to review a preview (it also ran at the Edinburgh Fringe before transferring).
However, despite this production concept being magnificently original, it seemed to lack subtlety and substance, proclaiming some great societal insight but without real depth. Nevertheless, I commend and congratulate the collaborators and performers for pushing boundaries with such inventiveness and although energy was abundant, it dissipated quickly without a sense of direction. Without an apparent climax I was momentarily perplexed as to whether or not the play had finished; only when the rest of the audience tentatively began a round of applause did it dawn on me that the finale had arrived. Yet it is a testament to the creators that I left the theatre uplifted, inspired and ready to change the world.
‘Don Quijote’ is a startling insight into the nature of societal change, a thorough exploration into the spirit of the hidalgo and one of the most mesmeric productions I have seen this year (ok it’s only been a week but you know what I mean). I cannot claim to tell you what you might experience, except that you will be better off when you come out than when you came in. Go see it while you can, with diversity in each performance, you never know what you might discover.
Over and out,